When Cliff gets into a horrible accident - losing his head, quite literally - Dr.
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Coupled with the synthesization of Bomer and Zuk’s performances - each with their own strengths and gravity - Doom Patrol breathes new life in a genre that in recent years has felt calcified.įor the uninitiated, we’re brought into the Doom Patrol story by Cliff Steele (Brendan Fraser), a hard-drinking, wildly successful NASCAR driver with a penchant for fooling around with his kids’ nanny and acrimonious fights with his wife. His arc is not only emotionally complex and sharply political, but it makes his character feels tangible in ways the denizens in the ever-expanding superhero genre don’t often feel when they make it to the screen. Larry is brought to life by two actors: Matt Bomer in flashbacks and voice acting, while Matthew Zuk plays the modern physical form of the character, who hides his scarred body in bandages.
This is especially true when it comes to Larry Trainor, a famous 1960s Army pilot who, prior to the accident that led a celestial being to hitch a ride in his body, struggled with hiding his sexuality while balancing the needs of his family and the weight of his American hero image. The third episode, “Puppet Patrol,” showcases an emotional depth that the superhero genre rarely does on television. But what surprises me about Doom Patrol is its heart.
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Nobody dryly asking the audience, “Aren’t you sick of superhero TV shows?” a puppet show about a Nazi scientist hiding in Paraguay and a henchmen’s legs being ripped off then used as a weapon. Not even halfway through its debut season, the show’s confident elasticity had already blended name-checks of writer Grant Morrison (who wrote the most iconic run of the Doom Patrol comic) Alan Tudyk’s villainous Mr. Three episodes into its run, Doom Patrol has proven to be curious, vulgar, and brazenly metafictional as it traverses genres, tones, and styles to tell the story of its eccentric characters who feel less like a traditional superhero group than a family burdened by trauma.
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The energy being may have no name, but it knows how to communicate a hearty “buzz off” when necessary. Larry leaves a note for the energy being, demanding that they set some ground rules, but in the next episode, now streaming on the DC Universe platform, he wakes to find himself precariously laying on a metal beam high above the floor.
In a way, he is: The character, based on the DC Comics superhero Negative Man, is inhabited by a mysterious energy being that regularly overpowers him to take control. TelevisonĪt the end of the second episode of Doom Patrol, Larry Trainor unwraps his many bandages and shrugs off a hulking coat to reveal the burnt, mangled visage of a man who feels like a stranger in his own body. Matthew Zuk as Larry Trainor in Doom Patrol.
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